Question I: Choose the most suitable word or phrase to complete each sentence.

6. ..............1915 that the cinema really became an industry.

    A. It is not until         B. It was not until           C. Not until                      D. Until in

7. I really appreciate________ to help me, but I am sure I’ll be able to manage by myself.

    A. you to offer           B. you are offering            C. your offering             D. that you offer

8. My friend’s uncle has been________ MP ( Member of Parliament) for five years.

   A. a                             B. an                               C. the                              D. Ø

9.  - Daisy: “What a lovely house you have!”      - Mary: “………….”

    A. Lovely, I think so                                           B. No problem

    C. Of course not, it’s not costly                          D. Thank you. Hope you will drop in

10. My new glasses cost me _______ the last pair I bought last month.

    A. more than three times                                     C. more three times than

    B. three times as much as                                    D. as much three times as

11.  We bought some  ________.

    A. German lovely old glasses                              B. German old lovely glasses

    C. lovely old German glasses                               D. old lovely German glasses

12. After years of neglect, there was a huge _____ program to return the city to its former glory.

      A. restoration           B. preservation                  C. conservation                 D. Refurbishment

13. We all have to follow the rules, and none of us is_____ the law.

      A. beyond                B. over                              C. above                            D. Onto

14. On the_____, optimists believe that life will be much better than it is today.

     A. contrary                B. contrast                         C. opposition                     D. opponent

15. You had your house decorated, .............. ?

     A. hadn’t you           B. didn’t you                                C. weren’t you                   D. haven’t you

16. A part – time job gives me the freedom to ………… my own interests.

     A. pursue                 B. chase                              C. seek                              D. catch

17. The type of plant and animal life living in and around a pond depends on the soil of the pond, .............., and the pond’s location.

     A. what the quality of the water is                   B. how is the water quality                     

     C. the quality of water                                       D. what is the water quality

18. __________ its accuracy, laser is very useful in medicine.

     A. In view of           B. As a result of               C. Thanks to                      D. Despite

19. ______ for their strong fiber include flax and hemp.

     A. Plants are grown B. Plants grown                  C. Plants that grow           D. To grow plants

20. ______ appears considerably larger at the horizon than it does overhead is merely an optical illusion.

    A. What the Moon  B. The Moon which            C. When the Moon           D. That the Moon

Điền"in,to,on,at,of,about,with"

1. When a sequence of still pictures were set...... motion, they could give the feeling

2. Early films were little more than moving photographs,usually about 1' ......... length.

3. As the old silent films were being replaced by spoken ones.......... the screen

4. More than a thousand people die......... the disaster of Titanic

5. Do you feel disappoint...... the service of that restaurant?

6. What do you think...... horror films ?

7. The cinema changed completely........ the end of the 1920s

8. The rumour has spread......the rest of the village

9......... the early 1910s,audiences were able to enjoys the first long films

10.......... the first 2 decades of its existence,the cinema develiped rapidly

=======================

1. I read an.......(interest) article in the newspaper this morning

2. Mary always finds it......(satisfy) to see people enjoy some thing she cooked

3.she has really learnt very fast. She has made......(astonish) progress

4. My dad is completely (satisfy)......... with what he is having in his present life

=======================

Điền " an,a,the"

1. What is that ? It is...... dishwasher i bought 2 days ago

2. At the first she was trained to be...... scriptwriter,but later she worked as...... assistant in a studio

Bài 1: Choose the underlined words or phrases that are not correct in standard written English

1. In the 1920s cinema became an important art form and one of the ten largest industry in the US

2. In some cases, advertisements make people to buy things that they do not really want

3. George told Mary that he has seen this film three times

4. It was so nice weather that we would like to go to the beach

5. Though it is one of the rarest metals. gold was one of the first to be discover

(MONG CÁC BẠN GIÚP MÌNH NHA)

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the following questions from 1 to 8.

Accustomed though we are to speaking of the films made before 1927 as “silent”, the film has never been, in the full sense of the word, silent. From the very beginning, music was regarded as an indispensable accompaniment; when the Lumiere films were shown at the first public film exhibition in the United States in February 1896, they were accompanied by piano improvisations on popular tunes. At first, the music played bore no special relationship to the films; an accompaniment of any kind was sufficient. Within a very short time, however, the incongruity of playing lively music to a solemn film became apparent, and film pianists began to take some care in matching their pieces to the mood of the film.

As movie theaters grew in number and importance, a violinist, and perhaps a cellist, would be added to the pianist in certain cases, and in the larger movie theaters small orchestras were formed. For a number of years the selection of music for each film program rested entirely in the hands of the conductor or leader of the orchestra, and very often the principal qualification for holding such a position was not skill or taste so much as the ownership of a large personal library of musical pieces. Since the conductor seldom saw the films until the night before the y were to be shown (if, indeed, the conductor was lucky enough to see them then), the musical arrangement was normally improvised in the greatest hurry.

To help meet this difficulty, film distributing companies started the practice of publishing suggestions for musical accompaniments. In 1909, for example, the Edison Company began issuing with their films such indications

of mood as “pleasant’, “sad”, “lively”. The suggestions became more explicit, and so emerged the musical cue sheet containing indications of mood, the titles of suitable pieces of music, and precise directions to show where one piece led into the next.

Certain films had music especially composed for them. The most famous of these early special scores was that composed and arranged for D. w. Griffith’s film Birth of a Nation, which was released in 1915.

 It may be inferred from the passage that the first musical cue sheets appeared around _______ .

A. 1896 

B. 1909

C. 1915

D. 1927

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the following questions from 1 to 8.

Accustomed though we are to speaking of the films made before 1927 as “silent”, the film has never been, in the full sense of the word, silent. From the very beginning, music was regarded as an indispensable accompaniment; when the Lumiere films were shown at the first public film exhibition in the United States in February 1896, they were accompanied by piano improvisations on popular tunes. At first, the music played bore no special relationship to the films; an accompaniment of any kind was sufficient. Within a very short time, however, the incongruity of playing lively music to a solemn film became apparent, and film pianists began to take some care in matching their pieces to the mood of the film.

As movie theaters grew in number and importance, a violinist, and perhaps a cellist, would be added to the pianist in certain cases, and in the larger movie theaters small orchestras were formed. For a number of years the selection of music for each film program rested entirely in the hands of the conductor or leader of the orchestra, and very often the principal qualification for holding such a position was not skill or taste so much as the ownership of a large personal library of musical pieces. Since the conductor seldom saw the films until the night before the y were to be shown (if, indeed, the conductor was lucky enough to see them then), the musical arrangement was normally improvised in the greatest hurry.

To help meet this difficulty, film distributing companies started the practice of publishing suggestions for musical accompaniments. In 1909, for example, the Edison Company began issuing with their films such indications of mood as “pleasant’, “sad”, “lively”. The suggestions became more explicit, and so emerged the musical cue sheet containing indications of mood, the titles of suitable pieces of music, and precise directions to show where one piece led into the next.

Certain films had music especially composed for them. The most famous of these early special scores was that composed and arranged for D. w. Griffith’s film Birth of a Nation, which was released in 1915.

It may be inferred from the passage that the first musical cue sheets appeared around _______ .

A. 1896

B. 1909

C. 1915

D. 1927

Read the following passage and mark the letter A, B, C or B on your answer sheet to indicate the correct answer to each of the questions from 30 to 37.

  Accustomed though we are to speaking of the films made before 1927 as “silent”, the film has never been, in the full sense of the word, silent. From the very beginning, music was regarded as an indispensable accompaniment; when the Lumiere films were shown at the first public film exhibition in the United States in February 1896, they were accompanied by piano improvisations on popular tunes. At first, the music played bore no special relationship to the films; an accompaniment of any kind was sufficient. Within a very short time, however, the incongruity of playing lively music to a solemn film became apparent, and film pianists began to take some care in matching their pieces to the mood of the film.

  As movie theaters grew in number and importance, a violinist, and perhaps a cellist, would be added to the pianist in certain cases, and in the larger movie theaters small orchestras were formed. For a number of years the selection of music for each film program rested entirely in the hands of the conductor or leader of the orchestra, and very often the principal qualification for holding such a position was not skill or taste so much as the ownership of a large personal library of musical pieces. Since the conductor seldom saw the films until the night before the y were to be shown (if, indeed, the conductor was lucky enough to see them then), the musical arrangement was normally improvised in the greatest hurry.

  To help meet this difficulty, film distributing companies started the practice of publishing suggestions for musical accompaniments. In 1909, for example, the Edison Company began issuing with their films such indications of mood as “pleasant’, “sad”, “lively”. The suggestions became more explicit, and so emerged the musical cue sheet containing indications of mood, the titles of suitable pieces of music, and precise directions to show where one piece led into the next.

  Certain films had music especially composed for them. The most famous of these early specialscores was that composed and arranged for D. w. Griffith’s film Birth of a Nation, which was released in 1915.

It may be inferred from the passage that the first musical cue sheets appeared around _________.

A. 1896

B. 1909

C. 1915

D. 1927

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions.

        Accustomed though we are to speaking of the films made before 1927 as "silent", the film has never been, in the full sense of the word, silent. From the very beginning, music was regarded as an indispensable accompaniment; when the Lumiere films were shown at the first public film exhibition in the United States in February 1896, they were accompanied by piano improvisations on popular tunes. At first, the music played bore no special relationship to the films; an accompaniment of any kind was sufficient. Within a very short time, however, the incongruity of playing lively music to a solemn film became apparent, and film pianists began to take some care in matching their pieces to the mood of the film.

        As movie theaters grew in number and importance, a violinist, and perhaps a cellist, would be added to the pianist in certain cases, and in the larger movie theaters small orchestras were formed. For a number of years the selection of music for each film program rested entirely in the hands of the conductor or leader of the orchestra, and very often the principal qualification for holding such a position was not skill or taste so much as the ownership of a large personal library of musical pieces. Since the conductor seldom saw the films until the night before they were to be shown (if, indeed, the conductor was lucky enough to see them then), the musical arrangement was normally improvised in the greatest hurry.

        To help meet this difficulty, film distributing companies started the practice of publishing suggestions for musical accompaniments. In 1909, for example, the Edison Company began issuing with their films such indications of mood as “pleasant”, “sad”, “lively”. The suggestions became more explicit, and so emerged the musical cue sheet containing indications of mood, the titles of suitable pieces of music, and precise directions to show where one piece led into the next.

        Certain films had music especially composed for them. The most famous of these early special scores was that composed and arranged for D.w. Griffith's film Birth of a Nation, which was released in 1915.

It maybe inferred from the passage that the first musical cue sheets appeared around

A.1896

B.1909

C.1915

D.1927

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the questions.

Accustomed though we are to speaking of the films made before 1927 as “silent”, the film has never been, in the full sense of the word,silent. From the very beginning, music was regarded as an indispensable accompaniment; when the Lumiere films were shown at the first public film exhibition in the United States in February 1896, they were accompanied by piano improvisations on popular tunes. At first, the music played bore no special relationship to the films; an accompaniment of any kind was sufficient. Within a very short time, however, the incongruity of playing lively music to a solemn film became apparent, and film pianists began to take some care in matching their pieces to the mood of the film.

As movie theaters grew in number and importance, a violinist, and perhaps a cellist, would be added to the pianist in certain cases, and in the larger movie theaters small orchestras were formed. For a number of years the selection of music for each film program rested entirely in the hands of the conductor or leader of the orchestra, and very often the principal qualification for holding such a position was not skill or taste so much as the ownership of a large personal library of musical pieces. Since the conductor seldom saw the films until the night before they were to be shown (if, indeed, the conductor was lucky enough to see them then), the musical arrangement was normally improvised in the greatest hurry.

To help meet this difficulty, film distributing companies started the practice of publishing suggestions for musical accompaniments. In 1909, for example, the Edison Company began issuing with their films such indications of mood as “pleasant”, “sad”, “lively”. The suggestions became more explicit, and so emerged the musical cue sheet containing indications of mood, the titles of suitable pieces of music, and precise directions to show where one piece led into the next.

Certain films had music especially composed for them. The most famous of these early special scores was that composed and arranged for D.W. Griffith’s film Birth of a Nation, which was released in 1915.

It may be inferred from the passage that the first musical cue sheets appeared around ________.

A. 1896

B. 1909

C. 1915

D. 1927

Finish each of the following sentences in such a way that it means the same as the sentence printed before it

1. Mary said : "I'll phone you"

➜ Mary told ......................

2. Although he had a good salary, he was unhappy in his job

➜ In spite of .....................

3. We didn't go on holiday because we didn't have enough money

➜ If ................

4. Horror films terrify my little sister

➜ My little sister ...............

5. How much does that coat cost ?

➜ What ...................

6. Cinema didn't become an industry until 1915

➜ It was not until ..............

7. Denise didn't know the truth until we had told her

➜ It was not until .................

8. They didn't pay the bill until the electricity was cut off

➜ It was not until ............

9. They didn't buy the house until the bank had lent them the money

➜ It was not .............

10. I didn't sleep until midnight

➜ It was not until ..............