Đáp án : B
Carve = khắc. Was carved from something = được khắc nên từ cái gì. Marble = đá hoa, đá cẩm thạch
Đáp án : B
Carve = khắc. Was carved from something = được khắc nên từ cái gì. Marble = đá hoa, đá cẩm thạch
Mark the letter A, B, C or D to indicate the correct answer to each of the following questions.
Question 14: The exquisite antique bottle was carved _____ marble.
A. by
B. from
C. at
D. about
Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 43 to 50.
Sometimes the road to the future leads through the past. Such was the case for Americans Scott and Brennan Olson, who used an old idea to launch a hot new trend in sports: inline roller skating.
In 1979, these siblings found a pair of antique roller skates while checking out bargains at a used sporting-goods store. The skates they found had four wheels in a single row instead of the traditional parallel pairs of wheels in front and back. This single row of wheels intrigued the Olsons. They were avid hockey players, and they immediately noticed the similarity between the inline wheels and the long, single blade found on the bottom of ice skates. Could these unusual skates somehow be used to practice hockey off the ice?
The Olsons set about trying to modify the design of the antique skates that they had found. First they tested out the antique skates to see how well they worked. From those tests, they tried to come up with ways to improve the old design. One improvement involved using special materials to make the skates stronger and easier to steer. The Olsons also added reliable brakes to their inline skates. In 1980, the Olsons founded a company called Rollerblade to make and sell their “new” invention. Sales skyrocketed, and soon millions of people worldwide were “rollerblading,” as inline skating was mistakenly called.
At first, inline skating was recreational. People enjoyed skating in parks and on streets, and some even danced on skates at giant roller discos. Today, inline “group skates” are popular all over the world. In cities such as San Francisco, Paris, and Berlin, as many as 20,000 skaters might meet on a free day and skate together through the streets. Many people see inline skating as a great way to exercise and socialize.
By the mid-1990s, inline skating had become more than just a recreational sport. It had developed into several competitive sports. One of the most popular, even today, is aggressive skating. This involves performing tricks and jumping over objects such as boxes, ramps, and rails. Other kinds of competitive skating include speed skating, artistic skating, downhill racing, and skating marathons.
So, what about hockey? Well, the Olsons achieved their goal. Inline hockey leagues sprang up almost immediately. Then in 1999, inline hockey joined the lineup at the Pan-American Games. There are rumors that inline skating may even become part of the Summer Olympics someday
What can be inferred about the antique inline skates found by the Olsons?
A. They were not widely sold
B. They were used mainly by Europeans
C. They were more popular than bicycles
D. They were used by hockey players in the summer
Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 43 to 50.
With Robert Laurent and William Zorach, direct carving enters into the story of modern sculpture in the United States. Direct carving - in which the sculptors themselves carve stone or wood with mallet and chisel - must be recognized as something more than just a technique. Implicit in it is an aesthetic principle as well: that the medium has certain qualities of beauty and expressiveness with which sculptors must bring their own aesthetic sensibilities into harmony. For example, sometimes the shape or veining in a piece of stone or wood suggests, perhaps even dictates, not only the ultimate form, but even the subject matter.
The technique of direct carving was a break with the nineteenth-century tradition in which the making of a clay model was considered the creative act and the work was then turned over to studio assistants to be cast in plaster or bronze or carved in marble.
Neoclassical sculptors seldom held a mallet or chisel in their own hands, readily conceding that the assistants they employed were far better than they were at carving the finished marble. With the turn-of-the-century Crafts movement and the discovery of nontraditional sources of inspiration, such as wooden African figures and masks, there arose a new urge for hands-on, personal execution of art and an interaction with the medium. Even as early as the 1880's and 1890's, nonconformist European artists were attempting direct carving. By the second decade of the twentieth century, Americans — Laurent and Zorach most notably — had adopted it as their primary means of working.
Born in France, Robert Laurent(1890-1970)was a prodigy who received his education in the United States. In 1905 he was sent to Paris as an apprentice to an art dealer, and in the years that followed he witnessed the birth of Cubism, discovered primitive art, and learned the techniques of woodcarving from a frame maker.
Back in New York City by 1910, Laurent began carving pieces such as The Priestess, which reveals his fascination with African, pre-Columbian, and South Pacific art. Taking a walnut plank, the sculptor carved the expressive, stylized design. It is one of the earliest examples of direct carving in American sculpture. The plank's form dictated the rigidly frontal view and the low relief. Even its irregular shape must have appealed to Laurent as a break with a long-standing tradition that required a sculptor to work within a perfect rectangle or square.
How does direct carving differ from the nineteenth-century tradition of sculpture?
A. Sculptors are personally involved in the carving of a piece
B. Sculptors find their inspiration in neoclassical sources
C. Sculptors have replaced the mallet and chisel with other tools
D. Sculptors receive more formal training
Read the following passage, and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions.
Every year about two million people visit Mount Rushmore, were the faces of four U.S presidents were carved in granite by sculptor Gutzon Borglum and his son, the late Lincoln Borglum. The creation of the Mount Rushmore monument Line took 14 years – from 1927 to 1941 – and nearly a million dollars. There were times when money was difficult to come by and many people were jobless. To move more than 400,000 tons of rock, Borglum hired laid-off workers from the closed-down mines in the Black Hills area. He taught these men to dynamite, drill, carve, and finish the granite as they were hanging in midair in his specially devised chairs, which had many safety features. Borglum was proud of the fact that no workers were killed or severely injured during the years of blasting and carving.
During the carving, many changes in original design had to be made to keep the carved heads free of large fissures that were uncovered. However, not all the cracks could be avoided, so Borglum concocted a mixture of granite dust, white lead, and linseed oil to fill them.
Every winter, water from melting snows gets into the fissures and expands as it freezes, making the fissures bigger. Consequently, every autumn maintenance work is done to refill the cracks. The repairers swing out in space over a 500-foot drop and fix the monument with the same mixture that Borglum used to preserve this national monument for future generations
This passage is mainly about _________
A. the visitors to the Mount Rushmore monument
B. the faces at the Mount Rushmore monument
C. the sculptor of the Mount Rushmore monument
D. the creation of the Mount Rushmore monument
Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 30 to 34.
Visitors to London are struck by the proud splendour and glamour of one of the world's
oldest capitals, admiring iconic sites like Big Ben, the Palace of Westminster and Buckingham Palace. However, visitors seeking a glimpse into the city's everyday life should not miss Portobello Market, which is the most-visited market in London.
This vibrant market has been featured in a number of films, documentaries and bestselling books, the most famous being the film ''Notting Hill'' starring Hugh Grant and Julia Roberts, which brought Portobello Market to the attention of audiences all over the world.
Portobello Market is divided into different sections selling second-hand items, clothing,
jewellery, souvenirs and vegetables. The most sought-after area is devoted to antiques. Visitors may feel overwhelmed as there are over 1,000 booths manned by antique dealers from throughout England. It's a great fun to browse through antique cameras, watches, pottery and paintings that date back 300 years. They are sold at different prices, so it's possible to find a few good bargains. It seems that both buyers and sellers look forward to the weekends when they can meet and escape the city's fast pace at Portobello Market.
When tired from exploring the market, visitors can drop into the nearby food courts to
savour an Indian curry, Italian pizza or sandwiches from Europe. It's a great pleasure to drink a cappuccino while listening to street performers. These represent the lively fun of Portobello
Market, offering exciting experiences that keep people coming back.
(Adapted from ''Heritage'' - Vietnam Airlines in-flight magazine)
What is the passage mainly about?
A. The film ''Notting Hill''
B. The city of London
C. Portobello Market
D. European cuisine
Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 30 to 34.
Visitors to London are struck by the proud splendour and glamour of one of the world's
oldest capitals, admiring iconic sites like Big Ben, the Palace of Westminster and Buckingham Palace. However, visitors seeking a glimpse into the city's everyday life should not miss Portobello Market, which is the most-visited market in London.
This vibrant market has been featured in a number of films, documentaries and bestselling books, the most famous being the film ''Notting Hill'' starring Hugh Grant and Julia Roberts, which brought Portobello Market to the attention of audiences all over the world.
Portobello Market is divided into different sections selling second-hand items, clothing,
jewellery, souvenirs and vegetables. The most sought-after area is devoted to antiques. Visitors may feel overwhelmed as there are over 1,000 booths manned by antique dealers from throughout England. It's a great fun to browse through antique cameras, watches, pottery and paintings that date back 300 years. They are sold at different prices, so it's possible to find a few good bargains. It seems that both buyers and sellers look forward to the weekends when they can meet and escape the city's fast pace at Portobello Market.
When tired from exploring the market, visitors can drop into the nearby food courts to
savour an Indian curry, Italian pizza or sandwiches from Europe. It's a great pleasure to drink a cappuccino while listening to street performers. These represent the lively fun of Portobello
Market, offering exciting experiences that keep people coming back.
(Adapted from ''Heritage'' - Vietnam Airlines in-flight magazine)
Visitors to the antique area may feel overwhelmed because ______.
A. they can meet all sorts of people from England
B. all the antiques are sold at the same price
C. there are a large number of antique shops there
D. all the antiques are more than 300 years old
Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 43 to 50.
Sometimes the road to the future leads through the past. Such was the case for Americans Scott and Brennan Olson, who used an old idea to launch a hot new trend in sports: inline roller skating.
In 1979, these siblings found a pair of antique roller skates while checking out bargains at a used sporting-goods store. The skates they found had four wheels in a single row instead of the traditional parallel pairs of wheels in front and back. This single row of wheels intrigued the Olsons. They were avid hockey players, and they immediately noticed the similarity between the inline wheels and the long, single blade found on the bottom of ice skates. Could these unusual skates somehow be used to practice hockey off the ice?
The Olsons set about trying to modify the design of the antique skates that they had found. First they tested out the antique skates to see how well they worked. From those tests, they tried to come up with ways to improve the old design. One improvement involved using special materials to make the skates stronger and easier to steer. The Olsons also added reliable brakes to their inline skates. In 1980, the Olsons founded a company called Rollerblade to make and sell their “new” invention. Sales skyrocketed, and soon millions of people worldwide were “rollerblading,” as inline skating was mistakenly called.
At first, inline skating was recreational. People enjoyed skating in parks and on streets, and some even danced on skates at giant roller discos. Today, inline “group skates” are popular all over the world. In cities such as San Francisco, Paris, and Berlin, as many as 20,000 skaters might meet on a free day and skate together through the streets. Many people see inline skating as a great way to exercise and socialize.
By the mid-1990s, inline skating had become more than just a recreational sport. It had developed into several competitive sports. One of the most popular, even today, is aggressive skating. This involves performing tricks and jumping over objects such as boxes, ramps, and rails. Other kinds of competitive skating include speed skating, artistic skating, downhill racing, and skating marathons.
So, what about hockey? Well, the Olsons achieved their goal. Inline hockey leagues sprang up almost immediately. Then in 1999, inline hockey joined the lineup at the Pan-American Games. There are rumors that inline skating may even become part of the Summer Olympics someday
According to the reading, what is true about the Olsons’?
A. They wanted to make a new invention
B. They did not succeed with their original goal
C. They were motivated because they loved a sport
D. They were not very good businessmen
Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 43 to 50.
With Robert Laurent and William Zorach, direct carving enters into the story of modern sculpture in the United States. Direct carving - in which the sculptors themselves carve stone or wood with mallet and chisel - must be recognized as something more than just a technique. Implicit in it is an aesthetic principle as well: that the medium has certain qualities of beauty and expressiveness with which sculptors must bring their own aesthetic sensibilities into harmony. For example, sometimes the shape or veining in a piece of stone or wood suggests, perhaps even dictates, not only the ultimate form, but even the subject matter.
The technique of direct carving was a break with the nineteenth-century tradition in which the making of a clay model was considered the creative act and the work was then turned over to studio assistants to be cast in plaster or bronze or carved in marble.
Neoclassical sculptors seldom held a mallet or chisel in their own hands, readily conceding that the assistants they employed were far better than they were at carving the finished marble. With the turn-of-the-century Crafts movement and the discovery of nontraditional sources of inspiration, such as wooden African figures and masks, there arose a new urge for hands-on, personal execution of art and an interaction with the medium. Even as early as the 1880's and 1890's, nonconformist European artists were attempting direct carving. By the second decade of the twentieth century, Americans — Laurent and Zorach most notably — had adopted it as their primary means of working.
Born in France, Robert Laurent(1890-1970)was a prodigy who received his education in the United States. In 1905 he was sent to Paris as an apprentice to an art dealer, and in the years that followed he witnessed the birth of Cubism, discovered primitive art, and learned the techniques of woodcarving from a frame maker.
Back in New York City by 1910, Laurent began carving pieces such as The Priestess, which reveals his fascination with African, pre-Columbian, and South Pacific art. Taking a walnut plank, the sculptor carved the expressive, stylized design. It is one of the earliest examples of direct carving in American sculpture. The plank's form dictated the rigidly frontal view and the low relief. Even its irregular shape must have appealed to Laurent as a break with a long-standing tradition that required a sculptor to work within a perfect rectangle or square.
The phrase “a break with” in line 30 is closest in meaning to
A. a destruction of
B. a departure from
C. a collapse of
D. a solution to
Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 43 to 50.
With Robert Laurent and William Zorach, direct carving enters into the story of modern sculpture in the United States. Direct carving - in which the sculptors themselves carve stone or wood with mallet and chisel - must be recognized as something more than just a technique. Implicit in it is an aesthetic principle as well: that the medium has certain qualities of beauty and expressiveness with which sculptors must bring their own aesthetic sensibilities into harmony. For example, sometimes the shape or veining in a piece of stone or wood suggests, perhaps even dictates, not only the ultimate form, but even the subject matter.
The technique of direct carving was a break with the nineteenth-century tradition in which the making of a clay model was considered the creative act and the work was then turned over to studio assistants to be cast in plaster or bronze or carved in marble.
Neoclassical sculptors seldom held a mallet or chisel in their own hands, readily conceding that the assistants they employed were far better than they were at carving the finished marble. With the turn-of-the-century Crafts movement and the discovery of nontraditional sources of inspiration, such as wooden African figures and masks, there arose a new urge for hands-on, personal execution of art and an interaction with the medium. Even as early as the 1880's and 1890's, nonconformist European artists were attempting direct carving. By the second decade of the twentieth century, Americans — Laurent and Zorach most notably — had adopted it as their primary means of working.
Born in France, Robert Laurent(1890-1970)was a prodigy who received his education in the United States. In 1905 he was sent to Paris as an apprentice to an art dealer, and in the years that followed he witnessed the birth of Cubism, discovered primitive art, and learned the techniques of woodcarving from a frame maker.
Back in New York City by 1910, Laurent began carving pieces such as The Priestess, which reveals his fascination with African, pre-Columbian, and South Pacific art. Taking a walnut plank, the sculptor carved the expressive, stylized design. It is one of the earliest examples of direct carving in American sculpture. The plank's form dictated the rigidly frontal view and the low relief. Even its irregular shape must have appealed to Laurent as a break with a long-standing tradition that required a sculptor to work within a perfect rectangle or square.
The piece titled The Priestess has all of the following characteristics EXCEPT
A. The design is stylized
B. It is made of marble
C. The carving is not deep
D. It depicts the front of a person