Kiến thức: Câu bị động
Giải thích:
Sau giới từ “after” phải dùng V.ing.
Ngữ cảnh trong câu cần dùng thể bị động: being + V.p.p
Tạm dịch: Một trong những người đàn ông đang nằm trên mặt đất sau khi bị hạ gục bởi một tảng đá.
Chọn B
Kiến thức: Câu bị động
Giải thích:
Sau giới từ “after” phải dùng V.ing.
Ngữ cảnh trong câu cần dùng thể bị động: being + V.p.p
Tạm dịch: Một trong những người đàn ông đang nằm trên mặt đất sau khi bị hạ gục bởi một tảng đá.
Chọn B
From the four words or phrases (A, B, C or D) choose the one that best completes the sentence
One of the men was lying on the ground after ______ down by a piece of rock
A. knocking
B. being knocked
C. knocking him
D. was knocked
Mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the following questions.
One of the men was lying on the ground after _______ down by a piece of rock.
A. knocking
B. being knocked
C. knocking him
D. was knocked
Mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the following questions
One of the men was lying on the ground after________ down by a piece of rock
A. knocking
B. being knocked
C. knocking him
D. was knocked
Mark the letter A, B, C, or D on your answer sheet to indicate the most suitable response to complete each of the following exchanges
"A motorbike knocked Ted down" - "_________"
A. How terrific!
B. Poor him!
C. What a motorbike!
D. What is it now?
Mark the letter A, B, C, or D on your answer sheet to indicate the most suitable response to complete each of the following exchanges
“A motorbike knocked Ted down” - “ ______________”
A. How terrific!
B. Poor him!
C. What is it now?
D. What a motorbike!
Mark the letter A, B, C, or D on your answer sheet to indicate the most suitable response to complete each of the following exchanges.
"A motorbike knocked Ted down". -"________"
A. How terrific!
B. Poor him!
C. What is it now?
D. What a motorbike!
Mark the letter A, B, C, or D on your answer sheet to indicate the sentence that best completes each of the following exchanges.
- Mike: “A motorbike knocked Tim down” - Mary: “ _____________ ”
A. How terrific!
B. Poor him!
C. Why do you say so?
D. What a cheap motorbike!
Mark the letter A, B, C, or D on your answer sheet to indicate the most suitable response to complete each of the following exchanges
“A motorbike knocked Tim down” - Mary: “______________”
A. How terrific!
B. Poor him!
C. Why do you say so?
D. What a cheap motorbike!
Read the following passage and mark the letter (A, B, C or D) on your answer sheet to indicate the correct answer to each for the question from 36 to 42.
Sir Anthony Van Dyck, one of the world’s greatest masters of portraiture, was born in Antwerp and was the seventh of twelve children. His affluent father apprenticed him to a painter when he was just a little over ten. Having become a member of the Antwerp Guild of painters before he was nineteen, he worked in the studio of Peter Paul Rubens for several years. In Italy, Van Dyck studied the great Venetian masters and painted flattering portraits of gorgeous ladies and haughty nobles in gilded velvet robes with lace and pearls. While he was sought after by the aristocracy for his acclaimed loose brushwork, his engravings and etchings also evinced his outstanding talent. Upon his return to Antwerp in 1628, he was influenced by Rubens’s interpretation of the artistic form and produced numerous religious paintings while holding an appointment as the court painter. During his tenure, he proved that his use of color, his sensitive elegance, and his remarkable insight were unexcelled.
His fame preceded him to England, where he was invited by King Charles I. After years of faithful service, he was knighted in recognition of his achievements in painting countless portraits of the king, the queen, the royal children, and the titled nobility of England.
However, Van Dyck’s greatest piece is one of his religious works, a true masterpiece displayed in the Antwerp gallery. This group scene exhibits his artful polish in painting the folds of fabric, the delicacy of human skin, landscape, and other externals, and puts him above other accomplished contemporary masters. Although Charles paid Van Dyck a salary and granted him a pension, the painter’s extravagant life-style and penchant for luxuries led him into debt, and he died without means.
It can be inferred from the passage that after Van Dyck left Rubens
A. he accrued considerable wealth
B. he became a militant aristocrat
C. he refined his artistic tastes and skills
D. he incorporated southern styles in his art