Exercise 6: Complete the conversations with suitable question words.
A: Hey. (1) ....................will you go home?
B: About 5 pm. And you?
A: Me too. (2) ....................do you often do in your free time?
B: I often listen to music or watch TV.
A: Oh. I also often watch TV in my free time. (3) ............... hours a day doyou watch TV?
B: About one hour. How about you?
A: About three hours. (4) ....................don’t you spend more time watchingtelevision? There are a lot of interesting programmes on TV.
B: I heard that watching too much TV is bad for our health.
A: Really? (5) ....................does it affect our health?
B: It can hurt our eyes and mentality, so you should watch TV less.
A: Oh no. I will do so. Thank you very much! (6) ....................are you goingto do this weekend?
B: I am not sure. (7) ....................is your plan?
A: I am thinking of going to My Khe beach.
B: (8) ....................is it located?
A: It is in Da Nang city.
B: (9) ....................is it from our town to that beach?
A: Not really far, just about 30 km.
A: (10) ....................are you going there?
B: I’m going by car.
B: (11) ....................are you going with?
A: Maybe I’m going alone. Would you be interested in joining me?
B: Sure, I’d love to. (12) ....................are you going to leave?
A: I think that we can leave around 8:00 on Saturday morning.
A: That sounds goo
Exercise 8: Write questions for the underlined parts. (2)
1. Mary invited a lot of people to the party.
2. No, we didn’t go to the cinema last night.
3. Shakira grew up in Colombia.
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4. He went on holiday with his friends.
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5. She didn’t do anything.
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6. I borrowed my teacher’s dictionary.
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7. Someone gave some money to Mike.
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8. Maria helped John with his homework yesterday.
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9. Shakespeare died in 1616.
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10. He didn’t dance at the disco because he was tired.
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Exercise 3: Read the text and match the words with their definition.
MUONG ETHNIC GROUP CULTURAL SPACE MUSEUM IN HOABINH
The first thing visitors see is water spilling over rock formation into a stream flanked by rice mortars, a reflection of the unique cultural identity of the Muong people. The centuries-old Muong culture is captured in two sections: a reenactment section and a display section. The reenactment section contains 4 Muong stilt houses that illustrate the social stratification of feudal society. The Muong houses are differentiated by socialstatus - the “Lang” house for the most powerful families, the “Âu” house for the mandarins, the ‘Tạo” house for ordinary people, and the “Nõ” house for the lowest class, such as widows and orphans. Further on are display rooms which showcase traditional Muong handicrafts such as knitted woven and embroidered fabrics, tools for hunting and farming, and items used in festivals, traditional observances, and religious practice. Visitor Ngo Thu Nga from Hanoi told VOV: “I am grateful for the initiative, love of Muong culture, and effort that created these displays and this museum.”
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No.
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Words
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Opt.
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Definition
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1.
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visitor
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a.
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the way of life, especially the general customs and beliefs, of a particular group of people at a particular time
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2.
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unique
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b.
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having a lot of power to control people and events
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3.
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culture
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c.
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a building where objects of historical, scientific or artistic interest are kept
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4.
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stilt house
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d.
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a large group of people who live together in an organized way
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5.
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society
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e.
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not different or special or unexpected in any way; usual
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6.
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powerful
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f.
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someone who visits a person or place
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7.
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ordinary
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g.
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relating to religion
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8.
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traditional
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h.
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A type of house of Muong ethnic people built on long pieces.
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9.
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religious
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i.
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following or belonging to the customs or ways of behaving that have continued in a group of people or society for a long time
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10.
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museum
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j.
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being the only existing one of its type or, more generally, unusual or special in some way
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Exercise 4: Read the text and answer the questions.
VIETNAMESE COSTUME
The most recognisable traditional garment you’re likely to see in Vietnam today is the aodai, an item of national dress consisting of a long, tight-fitting, silk tunic worn over loose trousers. The design of the modern aodai is a variation on more traditional forms of dress, and was perfected in the 1950s. Though it was banned in the late 1970s, the aodai has since seen a resurgence and many women in Vietnam continue to wear it, often as part of a uniform for schools, universities and public service roles.
The male equivalent of the aodai is called the ao gam, and is a brocade tunic ordinarily worn only on special occasions, such as birthdays or festivals. You are less likely to see the ao gam than theaodai in a day-to-day setting in Vietnam.
More well-known even than the aodai, the non la is a style of Vietnamese conical hat that has become symbolic not just of Vietnam but of East Asia in general for many Westerners. The hat, which is usually made from bamboo or straw, appears in Vietnamese art dating from 2,500-3,000 years ago, and is considered part of modern Vietnamese national costume.
From the early twentieth century onwards, most Vietnamese have worn Western-style clothing in day-to-day life, while members of minority ethnic groups in the north of country still commonly wear the traditional dress of their own particular locality.
1. What’s the most recognisable traditional garment in Vietnam?
...................................................................................................................................
2. When was the “Aodai” perfected?
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3. What is the male equivalent of the “Aodai”?
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4. What is the “non la” made from?
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5. What have Vietnamese women worn since the early twentieth century?
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