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Read the following passage and mark the letter A, B, C or D to indicate the correct word or phrase that best fits each of the numbered blanks from 31 to 35.

GETTING TO THE ROOT OF BONSAI CRIME

Bonsai trees have always been a source of great fascination to people. They are perfect miniatures, grown in pots small enough to sit on a windowsill. You have to keep reminding yourself that these frees are actually real and identical to their larger cousins in all (31) ______except their size. Rather like other small and perfectly-formed artifacts, bonsai trees command quite a high price in the marketplace and so it doesn't come as a great surprise to find that they also (32) ______the attention of thieves. It seems that quite a flourishing business has evolved, in which they are stolen from the homes of growers and collectors, then repotted and trimmed by unscrupulous dealers, to be sold on, at good prices, to (33) ______buyers.

One of Britain's top collectors of bonsai trees, Paul Widdington, believes that he has found a solution, however. After losing his life's work, valued at £250,000, when burglars broke into his home one night, Paul decided to (34) ______the possibilities of electronically tagging the trees he bought as a replacement. This involves injecting a microchip the size of a grain of rice into the trunk of each tree. Each chip is a laser-etched with information which is stored in a central register held by the police. Paul is quite aware that this kind of data-tagging doesn't (35) ______thieves from stealing the trees in the first place, although it may increase the chances of getting them back. So he's also installing a security alarm system complete with infra-red detectors, in his home.

Question 33

A. unavoidable

B. undemanding

C. unconscious

D. unsuspecting

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the

correct answer to each of the questions from 35 to 42.

  Often the craft worker’s place of employment in ancient Greece was set in rural isolation. Potter, for instance, found it convenient to locate their workshops near their source of clay, regardless of its relation to the center of settlement, At Corinth and Athens, however, two of the best-known potters’ quarters were situated on the cities’ outskirts, and potters and makers of terra-cotta figurines were also established well within the city of Athens itself. The techniques of pottery manufacture had evolved well before the Greek period, but marked stylistic developments occurred in shape and in decoration, for example, in the interplay of black and other glazes with the red surface of the fired pot. Athenian black-figure and red-figure decoration, which emphasized human figures rather than animal images, was adopted between 630 and 530 B.C.; its distinctive color and luster were the result of the skillful adjustments of the kiln’s temperature during an extended three-stage period if firing the clayware. Whether it was the potters or the vase-painters who initiated changes in firing is unclear; the functions of making and decorating were usually divided between them, but neither group can have been so specialized that they did not share in the concerns of the other.

  The broad utility of terra-cotta was such that workers in clay could generally afford to confine themselves to either decorated housewares like cooking pots and jars or building materials like roof tiles and drainpipes. Some sixth-and fifth-century B.C. Athenian pottery establishments are known to have concentrated on a limited range of fine ware, but a rural pottery establishment on the island of Tliasos produced many types of pottery and roof tiles too, presumably to meet local demand. Molds were used to create particular effects for some products, such as relief-decorated vessels and figurines; for other products such as roof tiles, which were needed in some quantity, they were used to facilitate mass production. There were also a number of poor-quality figurines and painted pots produced in quantity by easy, inexpensive means- as numerous featureless statuettes and unattractive cases testify.

According to the passage, all of the following are true of ancient Greek potters and vase painters EXCEPT __________________.

A. Their functions were so specialized that they lacked common concerns.

B. They sometimes produced inferior ware.

C. They produced pieces that had unusual color and shine.

D. They decorated many of their works with human images