Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct word for each of the blanks from 16 to 25.

Over the last few years, the use of the Internet has increased dramatically in French schools, offices, and homes and this trend continues to grow. Who could have imagined, even in the last decade, that we would be able to (16) __________ our friends, colleagues and clients around the world simply through the (17) __________ of a mouse and a modem? There is no doubt, like any invention, that the Internet can be used for good or bad but it is here to stay and has (18) __________ the way we communicate.

In the world of business, no corporation can be competitive unless it (19) __________ access to the Internet. It has become essential to advertise your product and service in this way and an increasing number of companies are using this opportunity to reach a greater number of (20) __________ consumers. Indeed, the bigger the website is, (21) __________ professional the company seems to be.

Similarly in education, the opportunities that the Internet can (22) __________ are vast. More and more students are (23) __________ on the Internet for their research; for instance, a physics undergraduate in Paris can download information from a university library in the United States in minutes. From the latest research in scientific and linguistic fields to new theories in psychology and history, all this may be published on the world-wide web.

What will be the future for the Internet in France? It has been (24) __________ that 60% of homes and 50% business will have access to the Internet within five years. Children, students and professionals will be able to (25) __________ and explore the world as they have never done before.

Điền vào ô số 23

A. relying 

B. working 

C. downloading 

D. surfing

đây là trang vật lý 7 em yêu ạ

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer for each of the blanks.

CARNIVOROUS PLANTS

All plants rely on nutrients taken from the soil in order to survive. However, in areas where the soil does not contain enough (35)_____ nutrients, some plants have adapted to (36) _____ their diets from another source: living organisms. Though they are few in number, carnivorous plants are (37)_____ fascinating beings that “eat” anything from one-celled organisms to insects in order to survive. They are commonly found in marshlands. Carnivorous plants feature one of several types of “traps” to ensnare prey, which they consume to make up for nutrients that may be missing from the soil. While there are over 400 species of carnivorous plants in the world today, some are more (38)_____ than others.

The most well-known of these plants are the snap traps, which include the Venus flytrap. Snap traps are easily identified by their leaves, which are separated into two lobes that have the ability to fold together. Inside the lobes, the surface is covered with tiny hairs that are (39) _____ to movement. When the plant’s prey brushes against the hairs, it triggers a closing mechanism that rapidly brings the two lobes together, trapping the prey (40)_____ inside. The response of the traps is phenomenal (41)_____ speed: the time between triggering the hairs and snapping shut is less than a second. As the prey struggles inside the trap, it only triggers more hairs, causing the leaves to tighten their (42) _____. The plant then secrets liquid chemicals from special glands into the trap to dissolve the prey and absorb all of its nutrients. Besides the Venus flytrap, only one other type of snap trap exists today, (43)_____ to as the waterwheel plant. The two share a common ancestor and differ only in a few ways. For instance, the waterwheel is an aquatic plant, while the flytrap is exclusively terrestrial. In addition, the flytrap feeds primarily on arthropods like spiders, while the waterwheel lives (44)_____ simple invertebrates, like certain types of plankton.

Điền vào ô 42

A. fist

B. hold 

C. seizur

D. grip

Chất phản ứng với dung dịch FeCl₃ cho kết tủa là

A. CH₃COOCH₃

B. CH₃COOH

C. CH₃NH₂

D. CH₃OH

Read the following passage and mark the letter A, B, C or D to indicate the correct answer.

The medieval artists didn’t know about perspective; they didn’t want to make their people look like real, individual people in a real, individual scene. They wanted to show the truth, the eternal quality of their religious stories. So these artists didn’t need to know about perspective.

In the European Renaissance period, artists wanted to show the importance of the individual person and his or her possessions and surroundings. A flat medieval style couldn’t show this level of reality and the artists needed a new technique. It was the Italian artist Brunelleschi who discovered the technique of perspective drawing. At first the artists of the Renaissance only had single-point perspective. Later they realized that they could have two-pointed perspective and still later multi-point perspective.

With two-point perspective they could turn an object (like a building) at an angle to the picture and draw two sides of it. The technique of perspective which seems so natural to us now is an invented technique, a part of the “grammar of painting”. Like all bits of grammar there are exceptions about perspective. For example, only vertical and horizontal surfaces seem to meet on eye level. Sloping roof tops don’t meet on eye level.

For 500 years, artists in Europe made use of perspective drawing in their pictures. Nevertheless, there are a range of priorities that artists give in displaying individual styles. Crivelli wanted to show depth in his picture and he used a simple single-point perspective. Cezanne always talked about space and volume. Van Gogh, like some of the other painters of the Impressionist period, was interested in Japanese prints. And Japanese artists until this century were always very strong designers of “flat” pictures. Picasso certainly made pictures which have volume and depth. However, he wanted to keep our eyes on the surface and to remind us that his paintings are paintings and not illusions.

It is technically easy to give an illusion of depth. However, a strong two dimensional design is just as important as a feeling of depth, and perhaps more important.

According to the passage, which is the main concern for medieval artists?

A. the individual person and his/her possessions and surroundings

B. real people, real scenes

C. eternal truth of the earth

D. themes of religious stories

Mark the letter A, B,C or D on your answer sheet to indicate the underlined part that needs correction in each of the following questions

All of the (A) principles that are collected (B) here serve to make up a system of (C) checking and evaluating security issues. (D)

A. All of the

B. are collected

C. of

D. security issues